Of course, the question was—after a century and a half of “Social Darwinism” claiming that it was all about competition, from the lowest to the highest—could our world now dominated by the shark-tank rubrics of business, economics, and politics adjust to this astounding news? Could it realize that because of this basic blunder about Darwin’s message, we had, in fact, ended up with dystopia instead of utopia?

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Since 2012 Brian Sokol has focused on telling the stories of refugees, Internally Displaced Persons (IDPs), and stateless people in Africa, Asia, the Middle East and Latin America. The Most Important Thing—his ongoing, long-term portraiture project—seeks to humanize and convey the dignity of individuals who have been dehumanized by conflict, government policies and the media.

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Our Keynote authors represent the Coalition for Global Citizenship (CGC2030). The Coalition, based at the United Nations Headquarters in New York, advocates that governments, public and private sectors, and civil society, all work from a basis of values of just and fair treatment, inclusion and cooperation.

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Kosmos Journal | In 2015, your team produced 50 Feet from Syria, a film focused on the civilian impact of the Syrian conflict. Your new film, Lifeboat, bears witness to refugees desperate enough to risk their lives in rubber boats leaving Libya. What was different for you personally about making those two films?

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My identity and my life as an activist has a very specific energy that people associate me with. In many parts of my life, I saw it as definitely putting me in a box in the way people saw me and my story. People didn’t understand the complexity and diversity of what I was fighting for or the way I wanted to use my voice to influence change.

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