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Akomolafe explores “cracks” as sacred ruptures in the architecture of modernity—sites where the world exceeds its own design and invites new forms of becoming. Rejecting doors, solutions, and behavioral frames, he gestures toward a geophilosophy of fugitivity, where instability reveals emergent possibilities beyond human exclusivity and settled assumptions.

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Kosmos Journal | In 2015, your team produced 50 Feet from Syria, a film focused on the civilian impact of the Syrian conflict. Your new film, Lifeboat, bears witness to refugees desperate enough to risk their lives in rubber boats leaving Libya. What was different for you personally about making those two films?

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We have a civilisation that is unrooted from its embodied past, focused on separation and the “objective” world intelligible to the rational mind, and which has lost its ability to sense the relationships in the whole and feel the suffering that we inflict on other life forms.

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Mary Putera offers the rare privilege of witnessing a painting’s emergence—moving from silence and devastation toward light and form. Each stage reveals art as a way of metabolizing grief and rediscovering Beauty, inviting us to presence pain and co-create the conditions for renewal.

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